In this tutorial I’ll share a few techniques you can use to make sure you get a good top-end balance. Sometimes you might have thin hi-hats or ride cymbals that you want to make crisp and clean without messing up the top-end. Of which in result will prevent the vocals to shine in the mix, or even a guitar sound. For instance, if the volume of the hi-hats and crash are too loud they’ll create masking with the vocals air/breath (even saxophone or flute air). Hats and Cymbals can mess up the top-end when not processed well or just ignored. When the cymbals and hi-hats are all over the place, it can be hard to get a good frequency balance for your mix. Today I want to share with you some really neat tricks for mixing hi hats and cymbals.
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